![]() Recent events in her personal life would seem to have sufficiently reaffirmed that awareness. ‘Olivia convinced everyone with her 1981 album Physical that she was aware of sex. The result is an album that sounds both like and unlike Olivia, a sort of sonic experiment that most fans would admit yielded mixed results. Produced by longtime mentor John Farrar, ‘Soul Kiss’ took his signature warm sound and gave it a more synthesised edge. She has since conceded that this was part of MCA’s vision for the album, pushing the image change prompted by the end of ‘Grease’ and the ‘Physical’ single to new extremes. Recording/Editing: Adobe Audition 3.Hated by most and loved by few….Soul Kiss was panned by critics…but fans still LOVE the album and the title track is heaven.īoasting album photography by Helmut Newton (front and rear) and Herb Ritts (inner), this was a sultrier Olivia than anyone had seen before. Record Cleaning:VPI HW 16.5 Record Cleaning MachineĪrtwork Scans:Epson Workforce WF-7610 Professional Printer/Scanner Soundcard:Novation Audiohub 2×4 Audio Interface Phono Pre-amp:Bellari VP130 Tube Phono Preamp Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform Original version appears on the Olivia Newton-John album “SOUL KISS” Remix – Steve Thompson & Michael Barbiero Management – Roger Davies Management Inc. ![]() Billboard Hot Dance Music/Maxi-Singles Sales A music video was produced and received heavy rotation on MTV and VH-1, the video features a pregnant Olivia mostly filmed on a bed of red satin sheets, the video also featured Olivia’s husband at the time, Matt Lattanzi. Newton-John was pregnant at the time of the single’s release and was therefore unable to promote it. “Soul Kiss” was a continuation of Olivia’s move into more sexually suggestive territory that had begun four years earlier with “Physical”. A slinky number written by Mark Goldenberg (writer of ‘Automatic’ for the Pointer Sisters), was a moderate hit reaching the Top 20 in the US and Australia. “Soul Kiss” was the first single and title track from Olivia Newton-John’s thirteenth studio album. ![]()
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